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Now a separate entity from the camera equipment testing lab,  has long been among the most dynamic photo editing software makers. PhotoLab 5 continues DxO’s tradition of automatic lens and camera body-based image correction, unmatched noise reduction, and other innovative image tools. The software incorporates Nik U Point local selection technology for some excellent local adjustment tools. For the latest version, DxO updates U Point with more control, speeds up DeepPrime noise reduction, includes more keyword and metadata management tools, and adds support for Fujifilm X-Trans cameras. The software deserves a place in every serious shooter’s digital photography toolbox, though we wish it were stronger at workflow.

 available at two pricing levels, neither of which requires a subscription, Essential ($139) and Elite ($219). Attractive introductory pricing of $109.99 and $164.99 for those two levels is available temporarily at the time of this writing. Upgrading from PhotoLab 3 or 4 costs $54.99 for Essential and $79.99 for Elite.

To get some of DxO PhotoLab’s coolest features, such as Prime de-noising and ClearView, you need the Elite version, which is what we tested for this review. That version also includes some pro features, such as the ability to manage camera-calibrated ICC profiles, custom palettes, and editable presets. Essential still gets you the excellent raw conversion, Smart Lighting, the Spot-Weighted mode, the Microcontrast tool, and local adjustment features. You can see details of what’s in each edition on this PhotoLab support page.

For DxO veterans, below is a cheat sheet of what’s new for the latest version 5 update. It’s not quite as extensive a list as some previous updates, but the speed improvement for DeepPrime noise reduction is particularly notable.

U Point Updates. You can now use control lines for U Point local edit selection and you can adjust the sensitivity for both control lines and control points.

New Metadata Tools. A keyword tree lets you organize your keywords hierarchically. So for example, you can have a mammal keyword with primate below it and chimpanzee below that. You can also now transfer IPTC and EXIF data between PhotoLab and other programs.

DeepPrime Gets a Lot Faster. According to DxO, the super-duper noise reduction is now “up to 4 times faster for Apple Silicon Mac users and 1.5 times faster on the best Windows architectures.” It’s still slower than other programs’ de-noising, but the results are unparalleled.

Support for Fujifilm X-Trans Sensor. This update is only relevant to people who shoot with a camera that uses a Fujifilm X-Trans Sensor, but it’s an accomplishment nonetheless because the sensor use a completely different arrangement of pixels than other brands. PhotoLab now supports the Fujifilm X-E4, X-S10, X-T4, and X100V through X-E2 and X-70—18 models

The previous update debuted the impressive DeepPrime noise reduction and made the interface more customizable by letting you hide tools you don’t use. It also added batch renaming, an advanced history panel, watermarking, local adjustment mask improvements, and an HSL color wheel.

The dark gray interface of PhotoLab has a clean, subdued look. The program interface has two modes: PhotoLibrary and Customize. The latter is where you do all your editing and tuning. That’s really all you need, but Adobe’s Lightroom Classic offers more flexibility with modes for sharing, printing, maps, and books, as well. Fortunately, DxO makes Lightroom round-tripping an option in PhotoLab.

I like KeyShot Pro Crack top button-bar options—one click for full image-size viewing, fit on screen view, full-screen view, and side-by-side comparison views. A key button here is Compare, which shows you what your photo looks like without DxO’s corrections. It’s key because the software automatically applies the fixes as soon as you load a photo. An option on first run has you choose between Standard, Optical Corrections, and No Corrections, with a sample image to show the result of each choice. The Standard option adjusts tonality and noise as well as lens optics, while the Optical option only adjusts the lens issues, leaving the rest up to you.

In Customize mode there are also buttons for cropping, forcing parallel lines, and a neutral color picker. Across the bottom of the program window is a filmstrip view of the images you’re currently working with, replete with subtle icons indicating whether the photo has been processed, whether camera and lens modules are installed for the image, and a star rating. (You don’t get similarly helpful clues in Adobe Lightroom, though you do in Lightroom Classic.) Each time you open a folder containing images, the program detects the camera and lens used for the photos therein, and it prompts you to download a module for the combination so that PhotoLab can optimize the image bsed on the equipment used.

You can search for adjustment tools, and you can limit your search to favorite tools (those you’ve marked with a star) or tools that you’ve already worked with.

Instead of importing photos to DxO, you simply open images from a card or folder shown in PhotoLibrary’s folder tree. You do get star ratings, and even Pick and Reject buttons for organizing your photos. You can also use keyword tags and apply them to multiple selected images in the Customize view’s Metadata panel. The program now lets you edit metadata in the EXIF and IPTC sections.

Keywords show up in the pop-ups that appear when you hover the cursor over a thumbnail. When you go to add a keyword to another photo, recently used ones are available, and now you can create your keyword sets, as you can in Lightroom and PhotoDirector, but you don’t get suggested keywords and prefab sets for common uses such as Wedding Photography, like those in Lightroom.

Forget about using geotagged maps, and face recognition—KeyShot Pro Crack doesn’t offer them. If those things are important to you, you’re better off using KeyShot Pro Crack PhotoLab as a plug-in for Lightroom Classic, a perfectly viable setup. The program does let you organize photos into Projects, in which you bring together pictures you want to work with as a group from various sources.Image Corrections in KeyShot Pro Crack

Most noise correction just compares nearby pixels to determine which represent noise, but DxO examines a much larger area to make this determination, which should remove more noise while leaving more detail. When you choose Prime or DeepPrime noise reduction, you won’t be able to see its effect on the full image view, just on a small area you select. The only way to apply Prime to the whole image is to export it. This previously took over a minute, but with subsequent program updates it now takes 23 seconds on a test shot. This means that getting this unequaled noise reduction doesn’t interrupt your photo editing workflow so much anymore.

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KeyShot Pro Crack is different from most photo software in that it starts you with its best-guess correction for your photo, based on the lens, camera, and exposure settings used. KeyShot Pro Crack Labs actually shoots thousands of shots on test patterns at different lighting conditions to create lens and camera profiles for each camera and lens supported to tune these corrections. The profiles include DSLR camera body and lens combinations, as well as smartphone cameras, but unfortunately my Samsung Galaxy S21 Ultra—which I bought for its unrivaled camera—doesn’t have a profile in PhotoLab.

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