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Pinnacle Studio, now in its 25th version, is a video editing application that’s steadily become speedier and more powerful with each iteration. Its maker, Corel, also develops the VideoStudio video editing software, with Pinnacle positioned at the higher end of the market. Pinnacle is aimed at near-professional-level enthusiasts, featuring excellent editing features and effects such as stop-motion video, multicam editing, and motion tracking. Thankfully, it lacks the steep learning curve associated with pro video editing software.
Like most video editing software aimed at consumers to near-professional users (a group sometimes known as prosumers), Pinnacle Studio is available in a trinity of good, better, and best levels, with the entry-level Pinnacle Studio listing for $59.95, Plus for $99.95, and Ultimate (reviewed here) for $129.95. Prices are for perpetual licenses, with no recurring subscription fee required. Upgraders from previous versions of Plus and Ultimate save $30 and $40 off the full price, respectively.
If you need to edit 360-degree or 4K content, you’ll need to spring for Ultimate, which also adds color grading, video masking, and high-end effects from NewBlue, along with unlimited video tracks. It’s the only level that includes some of the new features detailed here. Unfortunately, there’s no free trial version of any of the Pinnacle Studio levels. Several competitors, including Adobe Premiere Elements and CyberLink PowerDirector, offer free trials.
To get going you first download a small installer stub app, which then downloads the massive full program. It’s an over-2GB download and takes up 3.6GB on-disk after installation, so you’ll want a fast internet connection and plenty of space on your hard drive. Of course, if you’re editing 4K video, you need a big disk anyway. The installer also installs separate MultiCam Capture Lite and MyDVD programs.
Importing and Interface
When you first run the program, you’re invited to the program’s User Experience Improvement Program, which sends anonymous usage data back to the company; turning that off is straightforward if you’re not interested. Next, a dialog tells you that the Import feature lets you record and open media files.
Import takes up the full program window, which makes it easy to pick the types of importing you need, whether it’s from DVD, computer folders, stop-motion, snapshot, or multicam. The software can import 4K content, and you can star-rate and keyword-tag content at import, which helps you find it later. The search bar also helps you find content you haven’t marked in this way, searching instead for words in the filename.
One option on the Import mode is MultiCam Capture. This opens an external app that lets you record your screen along with any webcams you have connected or built in to your PC. You can use function keys to start and stop recording, and the tool produces separate, synced clips that you can add to your project bin. It lets you adjust lighting and sound sources, and in my testing, it worked flawlessly.
Headlining the new features for the latest version are 8K support, smart object tracking, blend modes, and custom audio noise reduction. Other recent feature additions include Version 24’s face motion tracking with mosaic blur, updated title editor, and improved keyframe controls. The previous Version 23 added important new tools of its own, including, clip nesting, animated GIF creation, color LUT presets, selective color vectorscopes, and batch processing.Pinnacle’s editing interface is pleasing and flexible. It sports flat, 2D icons, and a black and gray color scheme. The program uses the concept of Project Bins, in which you stash all the content for a given movie project—clips, photos, and sound files, but not effects and transitions. This is a common approach for pro-level apps such as Adobe Premiere Pro, and it’s a feature that Corel’s other line, VideoStudio, does not include.
The whole program window is topped by four mode-switching buttons: a Home icon, Import, Edit, and Export. The first is simply a Welcome screen offering tutorials (including the excellent Studio Backlot videos), info on new program features, and additional assets and programs for sale. One thing I miss on this page is quick access to projects you’re working on, something most competitors include on their welcome screens.
Three- and four-point editing offer more in- and out-point precision. You switch into this editing mode from the same button on the right side that switches among Smart Editing, Insert, Replace, and Overwrite modes. With the three-point option, you specify in and out points on the timeline, and an in or out point in the source clip. This way, when you insert the clip onto the timeline it will be fit to your specification.
Edit mode uses the standard three-pane editor interface, with source content occupying the top-left quadrant of the screen, the preview window at the top right, and the timeline across the bottom half. If you’re used to having preview on the left, a handy switcher button lets you move it there without any fuss. The Ultimate level allows an unlimited number of tracks, as mentioned earlier. The Plus level limits you to 24 tracks, and Standard to six. You can change the relative size of the panels, add a source-video preview, and switch the movie preview to full screen.
Interface panels can be pulled off and you can change their positions, as you can in some other editors, such as Magix Movie Edit Pro. The preview window includes detailed controls, such as jog and shuttle, frame advance, and rewind. You can also switch the preview between source and timeline. You expand and contract the timeline (either the main one or the one in the preview window) with a clever mouse-drag action, but I wish there were a mouse wheel option for resizing the timeline.
Searching and sorting is available for any content, which is more than I can say for some video editing programs, such as Studio’s sister application, VideoStudio. Hiding and showing items by content type—video, audio, photo, and project—is simplicity itself. There’s an enormous and customizable assortment of keyboard shortcuts. A helpful Project Notes panel, to help you keep track of work progress (Vegas Pro’s similar feature goes a step farther by attaching notes to particular timecodes). You can also choose which buttons you want to display on the timeline toolbar, including Split, Add Marker, Trim Mode, Multi-Cam Editor, and Audio Ducking.
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The interface makes no specific concession to touch input, which I find useful for scrubbing, changing value sliders, and tapping control buttons. That said, scrubbing the timeline by finger did work acceptably. The software now fully supports high-resolution monitors. Rather than integrated help, you get an online PDF (that’s still better than Adobe’s unimpressive web help, which shows info for other products and from non-staff users). In general, however, Pinnacle’s interface is more accessible than those of some competing video editors.
Pinnacle uses a magnetic timeline, so any clip you drag and drop into it snaps to any existing clips, and you can turn that behavior off, if you prefer. Dropping one clip inside another splits the original one, and a razor icon offers clip splitting, as well. One thing missing is a button to drop a selected clip into the timeline at the current insertion point—most editors have this.The Trim Mode button (or just double-clicking a join point) opens a second preview window so you can see the first and second clips’ states at the trim point. This is supposed to help with effecting slip and slide trims, but I find it less intuitive than the trimming windows of CyberLink PowerDirector and VideoStudio, among other apps.
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