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First things first: Rekordbox DJ is offered as an in-app purchase to users of Pioneer’s Rekordbox 4.0 software. Rekordbox 4.0 is the latest incarnation of the (free, as ever it was) library software we just talked of, which is very much alive and kicking, and can be used by any DJ to prepare music for DJing with on modern Pioneer gear in DJ booths, usually off of a USB drive. DJs who want to add the option of going down the “software route” with Pioneer simply choose to “add on” Rekordbox DJ as an option within Rekordbox 4.0, pay up (or take advantage of the 30-day free trial), and there it is – a fully fledged DJing program, looking to all intents and purposes like some child of Traktor and Serato. Particularly Serato.
In fact, you have to dig deep, at least initially, to find anything about the program that doesn’t feel instantly familiar (assuming you’re used to one or more of the other programs, that is). Stacked, multicolour waveforms? Check. Library at the bottom of screen, folder tree left? Yup. (Rekordbox DJ does have cute little waveform previews that the others don’t, though.) Switchable extra panels for things like pads, effects, sampler, recording etc? Yes, there they are. Quantize? Naturally. iTunes integration? Sure thing. Ability to switch views (two deck, four deck etc)? Yup, there it is. The software even has that legendary DJ software trait of being “not quite as good as iTunes” when it comes to music management. (Please, let’s have smart crates! You know you want to…)
Rekordbox DJ works with a whole host of Pioneer controllers (note: only Pioneer), and there’s a full list on the Pioneer website; we tested it on a DDJ-SX and a WeGO3, because we don’t have either of the new Pioneer controllers (namely the DDJ-RX and DDJ-RZ) here at this point to test with. You can DJ with it with no hardware at all if you want, though, or just with an audio interface; on Mac, Rekordbox DJ had no problem spotting the two audio interfaces we tried it with, which included the NI Audio 2 and an Apollo Twin.
So up and running, time for a road test! While overall Rekordbox DJ does feel very busy (don’t know if it’s just my eyes, but I struggled with the size of the library font in particular, although it is configurable), you do get lots of choice over how things look. As well as choosing your panels as just stated, you can do clever stuff like break the library away and have it on a separate monitor entirely (great for resident DJs in custom-designed booths). Like Traktor, you can choose blue or multicoloured waveforms.
So initial configuration of the look of the software done, you going to want to beatgrid your tunes, and the beatgridding is comprehensive and feels very tight, plus you get a metronome (just like with Traktor) to help. While a couple of readers reported crashing while beatgridding, we didn’t find that to be the case. Anyway often you won’t need to grid your tracks at all, as the analysis is tight – not surprising really as Pioneer DJ has been offering great track analysis in Rekordbox for a long time now. It is fast too, trawling through four tracks at a time (at least, on our MacBook Pro). We did find beatgridding limited “on the fly” though, for small corrections when actually DJing.
Playing a simple, straightforward DJ set with Rekordbox DJ, really we were hard pushed to find stuff that felt notably different from using any DJ software. One omission was that played tracks didn’t appear to get greyed out, which felt like an obvious thing to have included – presumably like some of the other little bugs and omissions people have been pointing out, this is a v1 thing that’ll quickly be fixed – it certainly needs to be.
The FX are great! Pioneer has great hardware FX and that knowledge informs the FX implementation here. You get “Color FX” where you find per-channel filters and lots of other goodness, standard assignable FX engines with lots of choices, and “Pad FX” including some instant slip looping options Nobody can say Pioneer hasn’t been comprehensive here, and they sound excellent.
Speaking of pads, having the pads nicely laid out on screen makes them easily accessible, and in fact, despite the overall fiddliness of the screen layout (I wouldn’t like trigger hot cues using just the mouse, for instance), you can DJ pretty OK on this using (configurable) keyboard shortcuts and/or the mouse – great for “tray table” DJ sets on planes, and something you can’t do with Serato, for instance.
Just a quick word about the keyboard mappings: There doesn’t seem to be any concept of “active deck” or “deck switching” so you can’t have, say, eight hot cues mapped to numbers 1 to 8 and just deck switch – you’d need totally different key combos for each deck.
The sampler is similar to the SP-6 in Serato with Remix Decks elements thrown in, with four banks of 16 samples giving you 64 in total. There’s a sequencer built in too, though, which although we didn’t massively play with it, is something of interest to DJ/producers who can of course use such a thing to perform with their own sounds and samples live. (Funnily enough, this isn’t actually something totally new to DJ software; DJUCED software – the package that comes with some Hercules DJ controllers – also has a step sequencer.)
One nice thing about Rekordbox DJ is that it works with Pioneer’s consumer gear like CDJ350s, for instance, so DJs with such gear can get into software DJing via that route if they so wish. We didn’t test it with such gear, or with pro booth gear (ie CDJ900nexus etc), but apparently you don’t get the waveform displays on the pro stuff, as you do when DJing from USB. If this is the case, it seems a bit weird – but then again, maybe Pioneer thinks such DJs would not want to use software. I’m not so sure, certainly going forward it would be good to see this integration tightening up. After all, the other big software names have got some pretty good Pioneer integrations going on.
Overall, we were pretty impressed, DJing for several hours without issue – commendable for a brand new program. Scratching sounded inferior on this compared to the others (far more “digital”, and needs to be improved), but here in the studio we didn’t experience any of the jogwheel latency we’ve heard some DJs complaining of, so all we can say from our point of view is that it worked overall very well. That said, one of our staff used it at a gig and ended up having issues and switching to another program, so the jury’s our as of this moment on reliability. Again, very usual for a brand new program, almost to be expected.
Switching back to Serato, though, made us realise how much slicker that program currently is in appearance and feel. Rekordbox DJ feels in comparison rough around the edges, maybe again inevitable at this stage of its life; for instance, there was an odd mix of Retina-friendly and double-pixel stuff going on, giving it an untidy feel, and I’ve already mentioned the squashed nature of some of the features. Oh, and we didn’t particularly like vertical waveform mode, feeling the waveforms could have been longer.
Even the intentional but to us rather off-putting “welcome to the flight deck” feel of Traktor seems oddly more organised in comparison (maybe just a familiarity thing). As we say, it’s a v1. We’re going to cut the aesthetics some slack, for now at least, and the mini-CDJs for decks are at least a distinctive factor in an otherwise un-noteworthy appearance.
Never mind that DVS and video are both coming (will Pioneer implement its own DVS timecode? Almost definitely), meaning Rekordbox DJ will even more match feature-to-feature the other big names. The point is that from the lowliest $250 DJ controller up to the biggest Ibiza or Vegas DJ booths, Pioneer will shortly be able to offer a continuous, logical route, using only its own hardware and software.
Rekordbox DJ isn’t perfect yet as we’ve pointed out, but we reckon other software makers will be watching carefully, to put it mildly. If Pioneer DJ comes up with an “Intro” version to bundle for free with cheaper controllers, with an upgrade path (like the others do to a greater or lesser extent) – and you have to assume that it will do both of these things – it is going to have a stranglehold over a big section of the DJ market, absolutely no doubt.
It won’t be game, set and match, though. Even assuming the product continues to improve, the truth is that many DJs are currently very happy turning up at venues to play on the existing gear using Serato or Traktor DVS, and indeed are forced to by the fact that that gear is old and wouldn’t work well (or at all) with Rekordbox anyway. We reckon most DJ booths globally fall into such a category. DVS DJs, even if they could switch to using Rekordbox DJ in their booths, won’t gain anything substantial by doing so. Other DJs still will be wary of buying into a Pioneer-only ecosystem, just as a proportion of computer and smartphone users are wary of buying inot Apple’s “closed garden”.
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But actually, rather than making life harder for new DJs (who now have four platforms instead of three to pick from), Pioneer may just have made it easier. Because as long as you’re happy to go “the Pioneer way or the highway”, and the clubs in your area are up to date with modern, Rekordbox friendly Pioneer gear (as time goes on, that’ll be more and more, of course), you can’t go wrong getting into DJing via this route.