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When we last looked at Avid Media Composer back in January 2019, we were pretty impressed (hard not to be to be honest – this software has been around practically for ever, and is regarded as an industry standard).Although an increasing number of films are cut on Adobe Premiere, Final Cut Pro or DaVinci Resolve, chances are high that if you’re going to be working in a professional environment, this is what you’ll be sitting in front of day after day.Want to try Avid Media Composer Ultimate? Check out the website hereMedia Composer Ultimate is Avid’s top of the line video editing software for Windows and Mac, and it is not for the fainthearted. Although the interface is immediately recognisable to anyone who’s used any other type of video editing software, its customisability will please those who are into creating the work environment that suits them perfectly.
The entire interface has actually been completely redesigned. No longer is every part a floating window. The idea was to make it feel familiar to editors who have been used to Premiere’s or Final Cut’s interface.You’ll find Task-specific workspaces on the right hand side – in previous versions these were more hidden from view. Now that they’re prominent, it encourages editors, especially novice ones, not to restrict themselves to a single configuration but to use the one that works best for the job at hand, be it Editing, Colour correction, applying Effects, or working with Audio.When panes are turned into floating windows, they can be placed on other screens to extend your workspace for instance (if you’re lucky enough to work with multiple screens).
Before you start, you first need to set your project’s dimensions – create projects up to 16K, or with custom height and width, which is ideal if you’re looking to build web banners, or promos for expositions for instance.
It’sworth noting that when you launch the software, you’ll also notice a ‘What’s New’ section as a separate menu. This is where you can quickly check all the new features added with each update, from version 2019.6 onwards.
Importing media is done in a variety of ways. If you work with a tape deck, you just connect it to your computer and log and capture the footage. If your camera records to an internal hard drive, hook it up and use the Source Browser to import the footage. Add any media already stored on one of your drives to Media Composer in the same way, although you have the choice of either importing the footage or merely linking to it – the latter saves space but you need to make sure that drive is kept connected in order to edit with your chosen mediaYour imported footage is placed into bins, helping you organise yourself as you gather up the resources you need to create your project. From there, double-click on a clip to preview it, set in and out points and add your selection to the Timeline.
As you’d expect, all the tools you need to cut your movie are available to you, and the experience is similar to other professional video editing software. Media Composer grants you access to multiple video and audio tracks, enabling you to create quite complex sequences.
A lot of the navigation and editing seems to work better via the keyboard. So much so in fact that the keyboard itself is fully mappable and customisable. Should you prefer, editing predominantly with the mouse is of course possible, but if you take the time to familiarise yourself with the keyboard layout, you’ll appreciate the benefits in the long run.Some of the new features added recently include the Bin Map. When activated, this little floating section gives you a birds eye view of the entire content of your bin, along with a highlight of which part of the bin the panel is currently on. Grab that highlight and drag is anywhere else within that map to jump to it instantly. This is highly useful to let you see how much content is in a bin, and if you’re familiar with its content, how to quickly get to the location you’re interested in.
Editing isn’t solely about cutting a movie. A big bulk of the work often involves sorting and organising media, and that’s where a new feature comes in extremely handing and could save hours of work.This is known as Bulk Edit, and it allows you to rename a series of selected clips in seconds. The interface is also extremely easy to understand. You have the ability to add additional text, a counter, or even data from the file’s metadata (such as its creation date for instance).As you build your new names, the information appears to the right. Nothing is applied until you confirm the selection, and when you do ‘Commit’, those changes are applied instantly.Even better if you make similar changes regularly, you have the ability to save them as a preset.
What do you like best?
I have been using Avid for over 5 years at work and for personal use. It’s so versatile and is very easy to use. It is also quite affordable. There are so glitches or bugs or delays in editing and the customer service team is quite helpful.
It also loads really quickly with no delays. I have also used other Avids with other projects and there has been no issues with transferring. Also, importing and exporting media and sequences is really quick with no delay.Review collected by and hosted on G2.com.
What do you dislike?
The interface could be a little nicer as it is all grey and black. I wish they had more
Colour options to brighten up your editing sequence. The way it saves can be a little complicated as projects.Review collected by and hosted on G2.com.
Recommendations to others considering the product:
I think it’s really effective and a great alternative to Final Cut Pro if you need to switch for work reasons. I would sign up to forums for any editing help. I would pay the monthly membership if you’re using it for personal use to get a feel for it before you commit to a full membership.Review collected by and hosted on G2.com.
What problems are you solving with the product? What benefits have you realized?
I haven’t faced any problems but the benefits are that there are so options and hidden tools that really enhance your editing experience. The customer service team and forums are really helpful. Sometimes it has an error when you add too many effects on a shot and shuts down but it only happens once a week.
What do you like best?
Media Composer is suited to big projects, for example a documentary series with hundreds of hours of footage. Its bin system and hierarchy of clips and subclips are great for organising material – as long as you stick to a disciplined workflow and don’t just throw stuff in the cupboard.
The trim feature is powerful and has several modes to suit your preference. There are several ways of doing most things and lots of options to customise the interface.
Multiple users can work on the same project simultaneously.Review collected by and hosted on G2.com.
What do you dislike?
Media Composer is not easy to learn. It can be counter-intuitive and features are tucked away in unexpected places.
Although the application can do most things, some tasks are over-complicated compared with Final Cut and Premier, or require a work-around.
The whole application is riddled with bugs, which is surprising considering how long it’s been around. A look through Avid’s own forums reveals thousands of pleas from desperate editors stopped in their tracks with a deadline looming. Niggly glitches appear and disappear for reasons unknown.
Media management can be a nightmare. Clips can come unlinked to their files, threatening the entire project. The relink command seldom if ever works.
Some features are very disappointing, for example shot stablization which often seems to make no difference. Compare that with Final Cut’s “tripod mode” which works like a dream. Audio EQ is another area that falls far behind the competition. High-end editors find they need expensive plug-ins to get the best results. For a mature application that claims to be the choice of top professionals, everything should “come in the box.”
Error messages are prolific and incomprehensible. Why can’t they explain the problem in plain language? From forum posts it’s clear that even the experts don’t know what they mean.
The licensing procedure is rather clunky, made more difficult by Avid’s website which seems more intent on marketing than providing useful information for users.
It’s true that MC is widely used in broadcast and film studios, but that’s partly because it was one of the first NLEs. It got a toehold in the industry when it was too expensive for those further down the food chain. Having struggled to master this difficult programme, many editors were reluctant to tackle another.
In my view Avid has rested on its laurels. It stood by while the opposition caught up and overtook. Now it tries to hold its place with new features which very few will need. It should concentrate on fixing what’s broken and making the application more stable and user friendly. And it should make sure the box includes all the things that really matter.
I’ve been using MC for 17 years but If I was starting again knowing what I know now, it would not be my choice of editor. Sometimes I love it, but just as often it frustrates the hell out of me!
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Of course, no editing application would be worth its salt without including effects to improve the quality of your audio and video. Media Composer comes with a wealth of these, from audio ducking, punch-in tools, and the ability to alter the sample rate, to video effects including colour correction, timewarp and stabilisation technology. You obviously have a good selection of transitions to choose from, and also titles through a couple of title software packages included with Media Composer.
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