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With a refreshed handling motor, market-driving execution, and ground-breaking new highlights, Capture One is the expert decision in imaging programming. You get the exceptionally responsive exactness instruments you have to make shocking pictures from your camera’s RAW documents in an efficient work process that can be modified to meet your requirements. More data Capture One Pro 21 Download HereFrom Phase One, the maker of top-end photography equipment like the 150-megapixel IQ4 150MP, comes Capture One Pro 22 photo editing software, sometimes affectionately (and efficiently) known as C1. It offers digital photo importing, raw camera file conversion, image adjustment, local and layer editing, and some organizational features. The latest version has a decent number of improvements, including HDR merging, panorama stitching, a Dehaze tool, and a clever new system for quick editing called speed edit. The software supports tethered shooting (aka capturing, hence the software’s name) with a live monitor view and focus tools for controlling a camera with the app. Capture One is a strong competitor to Editors’ Choice winners Adobe Photoshop Lightroom, DXO PhotoLab, and others in the pro photo workflow space, thanks to its deep arsenal of professional photo editing tools and flexible interface.
Note that there’s one way you save money on Capture One software. There are editions specifically for Fujifilm, Nikon, and Sony cameras cost $199 ($149 upgrade); these versions are full-featured but only support raw files from cameras of those brands. If you shoot exclusively with hardware from one of these makers, it’s a good deal.
Capture One Pro is available for macOS (10.15 or later) and 64-bit Windows 8.1, Windows 10, or Windows 11. Both the Mac and Windows versions require a machine with at least a dual-core processor, 8GB RAM, and 10GB of free disk space. Apple Silicon-based Macs get native support. I tested the Windows version, which took up a little less than 1GB of space on my hard drive—significantly less than Lightroom Classic’s 3GB. I had to upgrade my image catalog on first running the update, but doing so was quick. You activate the software using a Capture One account as well as a serial number. In all, installation is no harder than getting going with Lightroom.
Speed Edit. Speed editing lets you edit using keyboard shortcuts, saving you from finding the adjustment slider you want. Hold down the keyboard shortcut, and a slider appears over the image for adjustment, or you can click and drag to adjust. Cleverly, all the most common adjustments are the four leftmost keys—brightness, contrast, and so on.
Panorama Stitching and HDR Merge. Other photo editing apps have long offered panorama stitching and HDR Merge, which finally are available in Capture One Pro.
Dehaze. The new Dehaze tool, according to Capture One documentation, “uses deep analytic algorithms to assess and automatically adjust contrast, saturation and a matrix of other parameters to remove haze.”
Faster Asset Management. According to company literature, “performance on Windows has been heavily improved, making it significantly faster to browse, filter, and search albums and folders.”
Improved Import. You can now specify that all subfolders be included in an import, thumbnails are higher-resolution, and you can perform backup during import. It now also supports HEIC files, commonly used by smartphone cameras.
Wireless Tethering for Some Canon Cameras. It does seem something of an oxymoron to say “wireless tethering” (where’s the tether?), but in any event you can now connect some Canon cameras directly to C1 and control shooting from the software.
Capture One Live. Capture One Live is an online service for sharing photos either during capture or from the catalog.
Auto Rotate. Auto rotate is another tool that other photo software has offered for a few years. Note that auto rotate isn’t to be confused with auto level, which C1 also includes.When you first run Capture One, the Resource Hub pops up and shows you tabs for What’s New, Tutorials, Webinars, Support, and Plug-In Shopping. If you dismiss it, you can get it back up from the Help menu. Just about everything in the hub opens a webpage in your browser, so I’m not sure why there isn’t just a link on the program window to a web index page with the same information.
Despite some interface tweaks, the app is still recognizable to longtime Capture One users. The dark (adjustable) gray window features three large buttons for Import, Export, and Capture (for tethering). Next to those buttons are clear Undo, Redo, and Reset buttons, which I appreciate in the error-prone field of photo editing. A split view shows a before-and-after comparison; the Split View button (top right) also offers full-screen before and after views.
Unlike Lightroom Classic’s interface, Capture One’s is not modal. That is, it doesn’t present different workspaces for different functions, such as organizing, editing, or output. Instead, you do everything in one interface. You use buttons on top of the left-side control panel to switch between eight views based on what you’re doing at the moment—Library, Capture, Lens, Color, Exposure, Details, Adjustments (including presets), and Metadata. You can remove any view or section of the sidebar you don’t use frequently and drag out any panel to have it float freely on the screen.
Along the top, a dozen always-present toolbar buttons switch you among Select, Pan, Loupe, Crop, Straighten/Rotate, Keystone, Mask, Healing Mask, Erase Mask, Dropper (for white balance and other adjustments), Apply Adjustments, and Draw Annotations. Just as in Photoshop, right-clicking (or click-and-holding) any of these buttons opens a drop-down of more cursor choices, including Zoom and Pan. The Apply Adjustments cursor lets you copy and paste adjustments between images. The paste functionality is smart enough to not include spot removal and cropping.
The program offers good right-click menu options and keyboard shortcuts. For example, you can use C for crop, Ctrl-T to hide or show the Tools menu, and Ctrl-D to export to disk. You can even create your own shortcuts for any of the program’s menu options. Question mark icons in every tool take you to the appropriate help entry—very helpful indeed.
A simple roll of the mouse wheel quickly zooms your photo. Capture One can’t zoom to a specific percentage. Instead, it stops at set amounts, such as 25%, 50%, and so on. There’s no indication whether the photo you’re viewing has been fully rendered (Lightroom gives you a Loading… message). In my testing, however, photos rendered faster than in Lightroom Classic. A full-screen view in Capture One shows both the side panel and your image, but it’s far less useful than Lightroom Classic’s true full-screen view. I also find that the basic action of switching between gallery and image view is less intuitive than it should be. Sometimes I hit the multi-image button and the program keeps me in single-image view. In Lightroom, it’s a simple matter of double-clicking an image.
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As an alternative to the Import button, you can set Capture One as your default AutoPlay option when plugging in camera media. The import dialog is powerful. It lets you choose the source, destination, file renaming, and copyright metadata. You can also perform a simultaneous backup during import, and even apply adjustment styles and presets such as Landscape B&W, midtone boost curve, and sharpening. Autocorrect is also a useful import option. You can zoom the preview thumbnails, view single images, and choose which images to import. You can’t rate or tag them before importing, unfortunately. The program’s duplicate detection (like that in Lightroom) saves you from having unnecessary copies on your drive. I had no trouble importing raw files from recent camera models such as the Nikon Z fc, the Canon RF, the Fujifilm X-T4, and the Sony a7 IV.
Like Lightroom Classic, Capture One stores information (including any edits) for your imported photos in a database called a catalog. The actual image files can be stored in a different folder location from the catalog, or right inside it. Keeping them separate means you can have the large image files on a NAS drive, for example. Unlike Adobe’s app, Capture One lets you have multiple catalogs open simultaneously. The default is to open the catalog you’re importing to as soon as the import starts.
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