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Vegas is a longstanding name in the video editing software space, originally developed by Sony but now overseen by Magix. Up to now, Vegas Pro has been held back by overwhelming interface complexity. Only serious pros needed apply. In recent versions, the developers behind Vegas have started to overhaul the application to deliver a somewhat more user-friendly, high-level video editor. The latest Vegas Pro begins to see some fruits from that effort, but it’s still one of the more complex options—enough so that amateur hobbyists may find it too challenging.
How Much Does Vegas Pro Cost?
Not only has Magix been working to make the user interface more appealing to serious amateurs, but it’s also made pricing more palatable for that audience. Formerly you were looking at $599 a pop to get the software, but now you can subscribe for $155.88 per year (which works out to $12.99 per month) for an Edit level subscription or buy it outright for $249 ($119 for upgraders). The subscription option lets you download clips from a library of 1.5 million royalty-free stock video and audio assets and gets you 20GB online storage for syncing with mobiles, and all interim updates. Magix reps tell me the product is in continual development, with new updates monthly.
Vegas uses the traditional three-panel layout, with source at top left, preview top right, and timeline along the entire bottom length of the screen. You can’t have dual preview windows for source clip and project, but you can switch the video preview window between a Trimmer mode for source clips and the project preview. The panels are proportionally resizable, but no longer undockable. You can easily see a full-screen preview of your project or source, however.
There’s no welcome screen, interface-introducing wizard, or tutorials when you start up, like those you find in PowerDirector, VideoStudio, Pinnacle Studio, and Premiere Pro. Vegas Pro also uses terminology that may be offputting to novices, such as envelope, bus, and quantize. That said, there’s plenty of tutorial content on the Vegas website.There are eight preset Window Layouts, and you can create custom ones of your own. You can only switch among them from the View > Window Layouts menu options, though some have compound keyboard shortcuts. Most modern programs have mode-switching buttons for more ease. The Add and Arrange Media layout is simply a storyboard with square clip thumbnails, which you can reorder if you hold down the Alt key. You can also pre-trim the included clips within the thumbnails in this view.
The program is extremely configurable: In fact, there are no fewer than 14 tabs on the Preferences dialog box. And the General page of Preferences has a list of 42 check boxes with descriptive text. The Preferences dialog could use some tightening up: The General section is an endless list of checkboxes, and though the dialog already has too many tabs, some grouping of these options would help. There’s no search in Preferences, but I do appreciate the search box for everything in the source and effect panel.You add keyword tags to clips by checking the Media Tags checkbox from the Views button dropdown, and you can assign shortcut key combinations to add those you use frequently. That button also lets you switch between thumbnail, details, and list views. The Clip Explorer on the left side of the source panel shows an Explorer-like tree structure for All Media, Media by Type (letting you switch between viewing only videos, photos, or audio clips), and Bins.As with most advanced effects, you get to the Motion Tracker from the list of Video FX that appears along the left rail after tapping that mode’s button at the bottom of the source panel. Vegas recently moved the tool from Bezier Masking effect to its own dialog box. You get just a single effect that you drag onto to the clip you want to use tracking on in your timeline. Doing so pops up a message telling you to choose the Tools > Video
You resize the timeline tracks with plus and minus controls at lower right, but if the cursor changes to a magnifying glass when it’s above the timeline, the latter will shrink to a very small size. Nicely, spinning the mouse wheel forward and back lengthens and shortens the timeline zoom level.
Oddly, double-clicking on a clip duplicates it on the timeline; for most apps, doing so offers editing options. This double-clicking gives you an easy way to get media from the source panel into the timeline, but it seems strange that Vegas Pro works this way when you click on a clip that’s already in the timeline. Double clicking a thumbnail in the source panel also adds it to the timeline, but oddly there’s no right-click option for doing so.
A relatively new feature is Project Notes. You can color code notes and link them to a timecode in the timeline. You can even jump to the associated timecode from a note. It’s a useful tool, especially for collaboration.
There’s a huge list of keyboard shortcuts available, but some are nonstandard. For example, the Spacebar doesn’t simply start and stop playback, but you need to start play with Enter and stop with Spacebar. You can change this in Preferences, though, and the keyboard shortcut list is entirely customizable. Vegas does use the familiar J, K, and L keys for reverse, stop, and forward. When you move the timeline position indicator, you can’t just move it as fast as you like. Instead, it moves at a ramping shuttle-style speed, though you can reposition the cursor without playing.
If you need to beef up your video with b-roll, Vegas Hub gives you an easy way to get video or audio clips, but it doesn’t add them to the Clip Explorer automatically after download. Unfortunately, I could only open the Hub dialog by digging into menus—a button would be nice. There is, ironically, a button for logging out of the Hub. What’s more, the Vegas mobile app’s only function is to transfer media from your phone to your Vegas Hub, but there’s nowhere in the Hub to see what you’ve uploaded, and there’s no option for its online storage in the Import menu.
You add clips to your project by clicking the Import button, choosing them from the in-program version of Windows’ File Explorer, or dragging them onto the source panel or timeline directly from File Explorer. Vegas Pro lets you work with all the formats today’s pro video editor may need, including AVCHD, BlackMagic Raw, HEVC, 8K, HDR, R3D, and XAVC S. When you add clips that use protected codecs, such as HEVC, Vegas pauses to activate the codec license, which isn’t so bad. You used to have to pay for the codec separately, which was a drag.
You add keyword tags to clips by checking the Media Tags checkbox from the Views button dropdown, and you can assign shortcut key combinations to add those you use frequently. That button also lets you switch between thumbnail, details, and list views. The Clip Explorer on the left side of the source panel shows an Explorer-like tree structure for All Media, Media by Type (letting you switch between viewing only videos, photos, or audio clips), and Bins.As with most advanced effects, you get to the Motion Tracker from the list of Video FX that appears along the left rail after tapping that mode’s button at the bottom of the source panel. Vegas recently moved the tool from Bezier Masking effect to its own dialog box. You get just a single effect that you drag onto to the clip you want to use tracking on in your timeline. Doing so pops up a message telling you to choose the Tools > Video
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As with most motion tracking tools, you select a mask area to be tracked, but your only option is a quadrilateral selection area. There are five tracking options Perspective, Location, Rotation & Location, Scale & Location, Shape & Location. If one doesn’t work, you can try another. Most of the software I’ve tested doesn’t offer these choices. The Perspective option yielded odd results, so I’m not sure why it was the default. Unfortunately, the all-important buttons to start the tracking process were initially hidden below the bottom of the dialog, which could be disconcerting to novices.